I am interested in folklore and mythology, and am drawn towards the soft undertones and minutiae of everyday happenings. I romanticise and immerse myself in such things to create dreamscapes and parallel worlds inside of my head.
I am interested in folklore and mythology, and am drawn towards the soft undertones and minutiae of everyday happenings. I romanticise and immerse myself in such things to create dreamscapes and parallel worlds inside of my head.
Warm breath sitting the train window blurs countours of the outside world. In that very mist, I see clouds, water currents and people. It is a momentary truth, it is the essence, it is another layer of life.
Josie Hudson’s work explores every day life as a performance. She uses performance art as a way of showing a different version of herself to the audience. She is currently looking at her own vulnerability, fear of judgement and the side to herself that others rarely see.
I am a mother and grandmother fulfilling the dream of my youth, a lifelong yearning to create a life for myself as an artist; as a woman in Scotland I did not always find this easy. Now the difficulties and challenges I face as a student, a woman, an artist are of my free will choice, and I meet them on my own terms.
My family are proud of me and they think I’m a little bit crazy, and that’s OK, more than OK!
I am interested in human behavior. My work is usually about my life and experience, what it means to be a woman, an elder, a student, an artist, in a patriarchal society; my work is often nostalgic, reflective, concerned with personal and collective narrative and deeper meanings.
I love to travel and have travelled in six continents and been to many European cities but this is my first visit to Vienna. I love it!
My current main theme focuses on reversing the interaction between the subject and spectator within surveillance. Creating a different perspective by switching the roles of the voyeur and the viewer.